All Leonardo Da Vinci 's Paintings
The Painting Names Are Sorted From A to Z


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Choice ID Image  Paintings (From A to Z)       Details 
52741 A full-scale composition of the Virgin and Child with St Anne and the infant St John the Baptist  A full-scale composition of the Virgin and Child with St Anne and the infant St John the Baptist   mk223 before he left Milan,between 1497 and 1499
38467 A rock gorge  A rock gorge   mk137 ca. 1494 feathers and ink on paper 22x15.8cm Royal Library, Windsor Castle.
29403 Abendmahl  Abendmahl   mk66 1495-1497 Wandmalerei mit Ol und Tempera auf Putz 420x910cm S.Maria delle Grazie,Mailand
94658 Adoration of the Magi  Adoration of the Magi   1481 Type oil on wood Dimensions 246 cm x 243 cm (97 in x 96 in) cyf
21285 Adoration of the Magi (mk08)  Adoration of the Magi (mk08)   C.1481 Oil and bistre on wood 240x246cm Florence,Galleria degli Uffizi
38534 Anatomical drawing of the stomach and the intestine  Anatomical drawing of the stomach and the intestine   mk137 ca. 1506 feathers and brown India ink, traces of black chalk 19.2x13.8cm Royal Library, Windsor Castle
38538 Anatomical studies of the basin of the Steibeins and the lower Gliedmaben of a woman and study of the rotation of the arms  Anatomical studies of the basin of the Steibeins and the lower Gliedmaben of a woman and study of the rotation of the arms   mk137 ca.1509-1510 feather and brown India ink and black chalk 28.6x19.3cm Royal Library, Windsor Castle
38532 Anatomical study of the brain and the scalp  Anatomical study of the brain and the scalp   mk137 ca.1490-1493 feather and brown India ink and Rotel 20.3x15.2cm Royal Library, Windsor Castle
38528 Anatomy of the Schadels  Anatomy of the Schadels   mk137 1489 feathers and ink 19x13.3cm Royal Library, Windsor Castle.
56621 anna sjalv tredje  anna sjalv tredje   mk248 livet stralar fran marias moder moder annas buvud genom de tre generationerna i en intrikat, foljsam vagrorelse kallad contrapposto.
33247 Annunciation  Annunciation   mk83 c.1437-1475
58590 Annunciation  Annunciation   Annunciation (1475?C1480)??Uffizi, is thought to be Leonardo's earliest complete work
7845 Annunciation  sgt66  Annunciation sgt66   1472-75 Tempera on wood, 98 x 217 cm Galleria degli Uffizi, Florence
7857 Annunciation (detail)  fg47  Annunciation (detail) fg47   1478-82 Oil on panel Mus??e du Louvre, Paris
7848 Annunciation (detail) dfe  Annunciation (detail) dfe   1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence
7846 Annunciation (detail) dg  Annunciation (detail) dg   1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence
7858 Annunciation (detail) ey79  Annunciation (detail) ey79   1478-82 Oil on panel Mus??e du Louvre, Paris
7847 Annunciation (detail) sg77  Annunciation (detail) sg77   1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence
7849 Annunciation (detail) st  Annunciation (detail) st   1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence
38450 Aurelio Luini attributed, profile of an old man  Aurelio Luini attributed, profile of an old man   mk137 16.Jahrhundert. Feather metal stiff and ink 13x10.2cm Biblioteca real, Turin
52329 Battle of Anghiari  Battle of Anghiari   1503-05 Oil on panel, 85 x 115 cm
86832 Benois Madonna  Benois Madonna   ca. 1478(1478) Medium English: oil on canvas (originally panel) Dimensions 49.5 x 31.8 cm (19.5 x 12.5 in) cyf
38449 Buste one frontal to seeing man and head of a Lowen  Buste one frontal to seeing man and head of a Lowen   mk137 ca.1505-1510 Rotel and Weibhohungen on paper 18.3x13.6cm Royal Library, Windsor Castle.
25953 Cecila Gallerani (mk45)  Cecila Gallerani (mk45)   c.1484 Oil on panel. 54x40cm Krakow,Muzeum Narodowe
7867 Ceiling decoration  yy  Ceiling decoration yy   1496-98 Fresco and tempera Sala delle Asse, Castello Sforzesco, Milan
30913 Details of Mona Lisa  Details of Mona Lisa   mk68 c.1507
44882 Drawing of an Infant  Drawing of an Infant   mk176 c.1510-12 Accademia venice
52331 Equestrian monument  Equestrian monument   1517-18 Black chalk on paper, 278 x 184 mm
7872 Female head (La Scapigliata)  wt  Female head (La Scapigliata) wt   c. 1508 Oil on panel, 27 x 21 cm Galleria Nazionale, Parma
38522 Funf studies of grotesque faces  Funf studies of grotesque faces   mk137 ca. 1494 feathers and ink 26x20.6cm Royal Library, Windsor Castle.
38535 Gekrose of the intestine and its Gefabsystems  Gekrose of the intestine and its Gefabsystems   mk137 ca.1506 feather and India ink traces of black chalk 19.3x14.3cm Royal Library, Windsor Castle
38521 Grotesque profile of a man  Grotesque profile of a man   mk137 ca.1485-1490 feather and ink 12.6x10.4cm Biblioteca Ambrosiana, Milan
38518 Head and shoulders Christs  Head and shoulders Christs   mk137 ca.1490-1495 metal pencil 115x9cm Galleria Dell' Accademia Venice
63027 Head of a girl  Head of a girl   1483 Silverpoint and white highlights on prepared paper, 181 x 159 mm Biblioteca Reale, Turin The eminent art expert Bernhard Berenson called this sheet "the most beautiful drawing in the world." It is thought to be a study for the angel in the Virgin of the Rocks in the Musee du Louvre, Paris. Artist: LEONARDO da Vinci Painting Title: Head of a girl , 1451-1500 Painting Style: Italian , graphics Type: study
45191 Hi Hieronymus  Hi Hieronymus   mk180 um 1480 Vatikanische Museen
70873 Hl. Anna, Maria, Christuskind mit Lamm  Hl. Anna, Maria, Christuskind mit Lamm   1510(1510) Oil on panel 168 x 112 cm (66.14 x 44.09 in)
38464 Holy Hieronymus  Holy Hieronymus   mk137 1482 Tempera and oil on wood chalkboard 103x75cm Pinacoteca Vaticana, Rome
38527 Interior view of the Schadels  Interior view of the Schadels   mk137 1489 feathers and ink 19x13.3cm Royal Library, Windsor Castle
38433 Jacopo Bellini  Jacopo Bellini   mk137 that of Leonello d' Este madonna of the humility admired ca. 1440 oils on wood chalkboard 60x40cm muse you Louvre, Paris
38497 Knieened figure in Draperie  Knieened figure in Draperie   mk137 ca. 1490 brushes black ink and grey India ink 21.2x15.9cm Royal Library, Windsor Castle
53718 Kvinnoportratt  Kvinnoportratt   mk234 about 1474 39x37cm
7861 La belle Ferronire dg  La belle Ferronire dg   c. 1490 Oil on panel, 63 x 45 cm Muse du Louvre, Paris
56620 la scapigliata  la scapigliata   mk248 studie i olja, kanske en madonna, kand som kvinna med ostyrigt har.
30960 La Vierge,l'Enfant Jesus et sainte Anne  La Vierge,l'Enfant Jesus et sainte Anne   mk70 Bois. H.1,68 L.1,30 Paris,Musee du Louvre
53717 Lady with Ermine  Lady with Ermine   mk234 about 1485 54x39cm
38516 Lady with the ermine  Lady with the ermine   mk137 1483-1490 oil on wood chalkboard 54.8x40.3cm Czartoryski museum, Krakau
38465 Landscape in the Arnotal  Landscape in the Arnotal   mk137 1473 feathers and ink 19x28.5cm Galleria degli Uffizi, Florence
30446 Last Supper  Last Supper   mk68 Tempera 13'9x29'10" Milan,Convent of Santa Maria delle Grazie
38513 Last Supper  Last Supper   mk137 1495-1498 oil and Tempera on stone 460x880cm Santa Maria della grace Milan
21284 Last Supper (mk08)  Last Supper (mk08)   1495-1498 Oil tempera on plaster 460x880cm Milan,Santa Maria delle Grazie,Refectory
92178 Leda  Leda   Oil on panel, 130 x 77,5 cm Galleria degli Uffizi, Florence Date between 1508(1508) and 1515 cyf
98293 Leda  Leda   Leda Date circa 1530(1530) Medium oil on panel cyf
7882 Leda  fh  Leda fh   1510-15 Oil on panel, 112 x 86 cm Galleria Borghese, Rome
7881 Leda (detail) ghk  Leda (detail) ghk   1508-15 Oil on panel, 130 x 77,5 cm Galleria degli Uffizi, Florence
28848 Leda and the Swan  Leda and the Swan   mk65 Panel 51 3/16x30 1/2in Uffizi,Depository
7880 Leda h  Leda h   1508-15 Oil on panel, 130 x 77,5 cm Galleria degli Uffizi, Florence
38432 Leonardo there Vinci and Andrea del Verrocchio, madonna with the child and angels  Leonardo there Vinci and Andrea del Verrocchio, madonna with the child and angels   mk137 ca. 1470 Tempera on wood chalkboard 96.5x70.5cm The nationally Gallery London
58588 Lorenzo de Medici between Antonio Pucci and Francesco Sassetti, with Giulio de Medici, fresco by Ghirlandaio  Lorenzo de Medici between Antonio Pucci and Francesco Sassetti, with Giulio de Medici, fresco by Ghirlandaio   Lorenzo de' Medici between Antonio Pucci and Francesco Sassetti, with Giulio de' Medici, fresco by Ghirlandaio
38509 Madchenkopf with confused hair  Madchenkopf with confused hair   mk137 1500 Umbra and grunlicher Amber with Weibhohungen on wood chalkboard 24.7x21cm Galleria Nazionale, Parma
40971 Madonna and Child  Madonna and Child   mk159 c.1490-91 Tempera on canvas transferred from panel 42x33cm
7850 Madonna and Child with a Pomegranate et  Madonna and Child with a Pomegranate et   1472-76 Oil on panel, 15,7 x 12,8 cm National Gallery of Art, Washington
52318 Madonna and Child with St Anne and the Young St John  Madonna and Child with St Anne and the Young St John   1507-08
53720 Madonna in the cave  Madonna in the cave   mk234 about 1508 190x120cm
38501 Madonna in the rock grotto  Madonna in the rock grotto   mk137 1483-1486 oil on linen 199x1222cm muse you Louvre, Paris
38496 Madonna in the rock grottos  Madonna in the rock grottos   mk137 1491-1508 oils on wood chalkboard 189.5x120cm The nationally Gallery, London
38502 Madonna in the rock grottos  Madonna in the rock grottos   mk137 1491-1508 oils on linen 189.5x120cm The nationally Gallery, London
38503 Madonna in the rock grottos(Details  Madonna in the rock grottos(Details   mk137 1491-1508 oils on linen 189.5x120cm The nationally Gallery, London
7863 Madonna Litta (detail sdg  Madonna Litta (detail sdg   c. 1490-91 Tempera on canvas, transferred from panel The Hermitage, St. Petersburg
7862 Madonna Litta ey  Madonna Litta ey   c. 1490-91 Tempera on canvas, transferred from panel, 42 x 33 cm The Hermitage, St. Petersburg
94672 Madonna of the Yarnwinder  Madonna of the Yarnwinder   c. 1499 onwards Type Oil on walnut Dimensions 48.3 cm x 36.9 cm (19.0 in x 14.5 in) cyf
40970 Madonna with a Flower  Madonna with a Flower   mk159 Oil on cnvas Transferred from panel 49.5x31.5cm
7853 Madonna with a Flower (Madonna Benois) g  Madonna with a Flower (Madonna Benois) g   c. 1478 Oil on canvas transferred from wood, 50 x 32 cm The Hermitage, St. Petersburg
38434 Madonna with the carnation  Madonna with the carnation   mk137 ca. 1470 oils Pinakothek Munchen old on wood chalkboard 62x47.5cm
44460 Madonna with the Yarnwinder  Madonna with the Yarnwinder   c. 1501 Oil on panel, 48,3 x 36,9 cm
83810 Madonna with the Yarnwinder  Madonna with the Yarnwinder   Date after 1510(1510) Medium Oil on panel, cjr
87709 Madonna with the Yarnwinder  Madonna with the Yarnwinder   1510(1510) Medium Oil on panel, transferred to canvas cyf
89385 Madonna with the Yarnwinder  Madonna with the Yarnwinder   1510(1510) Medium Oil on panel, transferred to canvas cyf
7877 Madonna with the Yarnwinder  tw  Madonna with the Yarnwinder tw   c. 1501 Oil on panel, 48,3 x 36,9 cm Private collection
7879 Madonna with the Yarnwinder (detail) dft  Madonna with the Yarnwinder (detail) dft   fter 1510 Oil on panel, transferred to canvas Private collection, New York
52330 Madonna with the Yarnwinder after 1510  Madonna with the Yarnwinder after 1510   Oil on panel
7878 Madonna with the Yarnwinder ty  Madonna with the Yarnwinder ty   after 1510 Oil on panel, transferred to canvas, 50,2 x 36,4 cm Private collection, New York
42649 Maria with Child and St. Anna  Maria with Child and St. Anna   MK169 1508-10 Panel 168x130cm Louvre, Paris
38451 Master of the Pala Sforzesca, profile of an old man  Master of the Pala Sforzesca, profile of an old man   mk137 ca. 1495 silver stiff on paper 15x11.5cm Galleria degli Uffizi, Florence
30456 Mona Lisa  Mona Lisa   mk68 oil on wood 30 3/4x21" Paris,Louvre c.1507 Italy
33455 Mona Lisa  Mona Lisa   mk86 c.1503-1505 Oil on wood 77x53cm Paris,Musee National du Louvre
42650 Mona Lisa  Mona Lisa   MK169 1503-06 Panel 76.8x53.3cm Louvre, Paris
44881 Mona Lisa  Mona Lisa   mk176 c.1503-05 Oil on wood 30x21
53716 Mona Lisa  Mona Lisa   mk234 1503 77x53cm
56819 Mona Lisa  Mona Lisa   mk250 About the Year in 1503-1505. Oil painting of wood, about 77 x 53 cm. The Louvre in Paris.
57236 Mona Lisa  Mona Lisa   mk255 for in the years 1503-1506. 0.77 x 0.53 meters canvas. Paris, the Louvre
61739 Mona Lisa  Mona Lisa   Oil painting on board, 77x53 cm.
7870 Mona Lisa (detail) dhu  Mona Lisa (detail) dhu   1503-5 Oil on panel Mus??e du Louvre, Paris
7869 Mona Lisa (detail) dyk  Mona Lisa (detail) dyk   1503-5 Oil on panel Mus??e du Louvre, Paris
7871 Mona Lisa (detail) r y  Mona Lisa (detail) r y   1503-5 Oil on panel Mus??e du Louvre, Paris
7868 Mona Lisa (La Gioconda) sdg  Mona Lisa (La Gioconda) sdg   c. 1503-5 Oil on panel, 77 x 53 cm Mus??e du Louvre, Paris
21276 Mona Lisa (mk08)  Mona Lisa (mk08)   c.1503-1505 Oil on wood, 77x53cm Paris,Musee National du Louvre
25886 Mona Lisa (mk45)  Mona Lisa (mk45)  
38525 Muscle structure of the thigh  Muscle structure of the thigh   mk137 Feather and ink black chalk 28.6x20.7cm Royal Library, Windsor Castle
38526 Muscles and bone of leg and Hufte  Muscles and bone of leg and Hufte   mk137 vergleichends study to the skeleton of the person and the horse ca.1506-1508 feather and ink with Rotel before red background 28.5x20.5cm Royal Library, Windsor Castle
62019 Our Lady and St Anne  Our Lady and St Anne   mk276 1503 Oil on canvas 168 x 112cm Paris Louvre

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Leonardo Da Vinci
Italian High Renaissance Painter and Inventor, 1452-1519 Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.

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